THE CHRIS BEVINGTON ORGANISATION. I cannot emphasise how good this band is live, their albums are great with ‘Cut And Run’ firmly fixed on my playlist, the album full of original tracks are a joy to listen to but live, this band take on a whole new life. With 9 band members, the sound will always be big, horns, backing singers, guitars, keys, drums and of course Mr Bevington on the bass, they not only fill the stage but also the entire place with a wall of sound. Opening with ‘It’s Too Late’ Scott Ralph taking the lead vocals and rhythm guitar, ably assisted by Sarah Millar and Kate Robertson, the up-tempo guitar heavy song shows the band mean business. ‘Boogie Man’, ‘She Ran Away To The City’ followed before probably one of my favourites ‘61&49’. The guitars sounding amazing and the vocals just feel very real, sludgy riffs which build and get all lovely with slide work and the backing vocals just lifting it to another level. It always reminds me of a ‘Bonamassa’ type structure and so ably played by lead guitarist Jim Kirkpatrick, it’s a must for any blues fan to listen to. Cracking through the setlist interspersed with some chatter and much amusement from band and audience, it feels more like an intimate gig than a sell out Saturday night. Jim takes over the lead vocal duties for ‘Five Long Years’ originally recorded by Eddie Boyd in 1966. It’s been covered so many times by so many greats but hearing this live version by the band is just astounding. The keyboards from Dave Edwards are superb but it is the skill of Kirkpatrick that ensures this version is head and shoulders above others. I have said for a very long time that he is one of the best guitarists around, an exceptional blues player who can get such intricacy and preciseness, depth and lightness, it’s bloody epic! With his other band, FM, Jim shows his rock side with the soaring riffs and dual guitar harmonies which he is equally good at, but he really does shine in this setting, with the blues running through his soul which is so evident. Anyway…back to the music with the tempo kicking back up to the party feel of ‘Don’t Need No Doctor’ and ‘Got To Know’ the band are clearly enjoying the night too and numerous folks are getting down with the groove, it’s so infectious. THE CHRIS BEVINGTON ORGANISATION are one of those bands that you could pull up a chair and watch all evening, Neil McCallum on drums has the swing and the tempo to run the rhythm section with Chris Bevington himself on bass, without fault, Lewis Topping and Ben Oakes on horns (and cowbell!) add in the interest and together with the lovely ladies and aforementioned Scott and Jim this was another fabulous night. Powerful and energetic, standout act with an ultra confident, no-holds-barred swagger. Gerry Jablonski and the Electric Band have a unique trademark sound and style. Their raw and crafty stage show takes the audience on a rollercoaster ride of dangerous, charming and gutsy music with hooks and melodies that cross genres and age groups. “an absolutely refreshing and life affirming experience. The best band you never heard of” Classic Rock Magazine 2018 Blues Awards - UK Blues Act of the Year “Dave plays like he got his skin turned inside out and pretty soon my skin was inside out too listening and it was all good. That boy bleeds for you – he a real down deep player and a soul man…” SEASICK STEVE SLIDE guitarist & songwriter Dave Arcari’s alt.blues sounds owe as much to trash country, punk and rockabilly as they do pre-war Delta blues and have been showcased via seven internationally-acclaimed solo album releases. A finalist in the UK Blues Federation’s UK Blues Awards 2023, Arcari has had his music featured in numerous BBC TV programmes as well as popular USA series The Deadliest Catch. The ultimate validation for Arcari’s music and performance came in 2019 when National Reso-Phonic Guitars launched the ‘Dave Arcari signature model’ guitar. Arcari joins an elite and exclusive group of players who have signature models and is the first – and only – musician outside the USA to be honoured by the iconic instrument maker whose name is synonymous with the development of the blues genre. Trevor Babajack is an English musician, raised listening to his mother, a club singer and the only two records in his parents record collection, Johnny Cash and Rory Gallagher. So, in the late seventies his own musical adventures began by playing bass in a local punk band. In 1981 a friend dragged him reluctantly along to see Nine Below Zero, the day after he bought himself a Sonny Boy Williamson record and a blues harp and he was hooked. Living and working in the 90's with the Shona people in Mashonaland East, Zimbabwe, Trevor's first son, Jack was born. Shona custom is that the father takes his son's name, so Trevor was known as 'Babajack'. (The Father of Jack). His music is influenced by his acquired passion for early rural Blues, mixed with the sounds of rhythmic African roots, in what can only be described as his own genre of original and seemingly improvised music, that makes him a thrilling and unique artist. His travels have taken him the length of the UK and across Europe, headlining Blues and Roots festivals and from little French cafés to The Royal Albert Hall. Trevor has always been a hard working musician, thrilling performer (and woodworker, making his own instruments) earning himself winner of the UK Blues Acoustic Act of the Year 2023, recognition as one Britain's best acoustic Blues artists, harp player, slide guitarist and song-writer.
Support comes from Robbie Reay.
Robbie Reay is an internationally renowned guitarist, vocalist and songwriter. Equipped with a cigar box guitar and license plate stomp-box. He blends traditional material and original, contemporary, blues songs, influenced by life, the current struggles, folklore and the Deep South.
Support is from The Robin Robertson Blues Band.
With a set list of original songs and covers that are heavily influenced by the Blues, The RRB are committed to highlighting the place of strong, talented women in the Blues and Rock genres; whether writers or singers. As expected, the infuences of the band members, from Soul to Jazz, can't help finding their way into the set in some small way. With great musicianship, technical ability and real energy, audiences are guaranteed a powerful, and enjoyable live experience.
Trevor Babajack Steger
The Voodoo Rooms
, 19a W Register Street, Edinburgh
Sun
November 24, 2024
7:15 pm
(Doors: 7:15 pm )
THE CHRIS BEVINGTON ORGANISATION. I cannot emphasise how good this band is live, their albums are great with ‘Cut And Run’ firmly fixed on my playlist, the album full of original tracks are a joy to listen to but live, this band take on a... Read more
The Voodoo Rooms
, 19a W Register Street, Edinburgh
Thu
January 9, 2025
7:15 pm
(Doors: 7:15 pm )
Powerful and energetic, standout act with an ultra confident, no-holds-barred swagger.
Gerry Jablonski and the Electric Band have a unique trademark sound and style.
Their raw and crafty stage show takes the audience on a rollercoaster ride of ... Read more
The Voodoo Rooms
, 19a W Register Street, Edinburgh
Sat
February 8, 2025
7:15 pm
(Doors: 7:15 pm )
“Dave plays like he got his skin turned inside out and pretty soon my skin was inside out too listening and it was all good. That boy bleeds for you – he a real down deep player and a soul man…” SEASICK STEVE
... Read more
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